Shoot the Rich! Ronnie Burk’s Homage to Andrew Cunanan

“A society where the police shoot black and latino teenagers daily…A society fueled by racism, homophobia, misogyny and class privilege. A society where killing faggots is viewed as a male past time. Unless, of course, you are a member of the super rich. In such a society we can only salute your audacity and rage.”

On the twentieth anniversary of the suicide of gay serial killer Andrew Cunanan, the infamous assassin of fashion designer Gianni Versace, let’s take a look back at one of poet Ronnie Burk’s most controversial statements as a member of ACT UP San Francisco.

In the summer of 1997, ACT UP SF had traveled to Atlanta, Georgia to protest a meeting of Bill Clinton’s Presidential Commission on AIDS. The group’s demands included funding not only for pharmaceuticals but food and shelter for PWAs as well as a ban on animal research.

ACT UP SF Protesting the Presidential Commission on AIDS, Atlanta, July 1997. Photo © Terry Kennedy.

It was during that same week that the manhunt for Cunanan dominated the news media. Updates from the Atlanta based CNN were a fixture on our hotel room’s TV as Ronnie relished the sensational coverage. An avowed Communist who advocated the violent overthrow of the ruling class, Ronnie Burk was in many ways better suited to the time of Emma Goldman and Rosa Luxemburg.

“In a world where the wealthy pay for the love they are incapable of giving we offer you our love freely and without reservation.”

Cunanan’s FBI Wanted poster was all around town as it was thought he might have traveled from Miami to Atlanta. Taking a copy from a storefront window, I offered it to Ronnie as a souvenir of the group’s trip. The day after Cunanan’s suicide, he could be overheard on the hotel room phone telling friends he was distraught over the death of his son.

Untitled college by Ronnie Burk

While this may seem grossly offensive to many, Ronnie’s morbid humor was decidedly politically incorrect. However the intent to shock wasn’t merely sensational in the vein of today’s Nationalist homosexual provocateurs such as has-been Milo Yiannopulos, John Birch Society wannabe Lucian Wintrich or muscle-pumped fascist Jack Donovan.

Burk’s political prose was a critique of deeper socio-political issues, both informed and impassioned, the hallmarks of his writing as a member of ACT UP San Francisco. Let’s not forget he was a surrealist and knew from the movement’s history that art was political.

Photo © Betty Best

By the time we’d return to the Bay Area, Ronnie had completed a statement regarding Cunanan’s killing spree and what it represented about America. Ascribed to The Thelma & Louise Gang, the flyer was immediately wheat pasted around the Castro neighborhood. Its incendiary prose, like the bulk of Burk’s artwork, remains powerfully prophetic. Here is the complete text:

“Biracial, HIV-positive, out since high school, male homosexual turned prostitute turn assassin. You broke all the rules. Having wined and dined in the company of the haughty rich we know you had special insights into the bankrupt values of this thoroughly corrupt society. A society where the police shoot black and latino teenagers daily. A society so visibly bankrupt on the moral plane we cannot help but point out for the past fifty years has prepared the world for nuclear annihilation all in the name of maintaining the status quo. A society fueled by racism, homophobia, misogyny and class privilege. A society where killing faggots is viewed as a male past time. Unless, of course, you are a member of the super rich. In such a society we can only salute your audacity and rage.”

Ronnie Burk vs. Ryan Murphy: from agitprop to pop art

“For a moment you struck terror in a sector of the ruling class we know to be hypocritical to the core. Paying for sex at night, attending mass in the morning, all in time to make a trip to the bank by noon. Clueless as ever, the rich, all dressed up with nowhere to go, are heading for the trashcan of historical obsolescence. As this society condemns millions to poverty, disease, homelessness and despair. As the concentration of the wealth continues to accumulate in smaller and smaller hands. As the delusions of grander of the vainglorious rich have them reenacting the court past times of Versailles and the Medicis. You showed us the solution to the greatest social problem of our era by doing what the rest of us are supposed to be doing, shoot the rich!”

“In a world where the wealthy pay for the love they are incapable of giving we offer you our love freely and without reservation.”

“Rest easy little brother. History will have its revenge! The Thelma & Louise Gang SF July 1997”

I have fond memories of carrying a brush and plastic red bucket of wheat paste on the late night streets of the Castrowith Ronnie, putting up the flyer at bus stops and advertising kiosks. There was a certain flair he had when pulled the flyer out of the Kinko’s Copies paper bag and put it upon the viscous paste, that made me think of Ronnie’s hero André Breton. I always enjoyed walking the streetsthe following day to see what was still left of our work.

One of Ronnie’s correspondents was Mark Rudd from the Weather Underground, who preserved several folders of material that was exchanged over a number of years. The letter below illustrates Ronnie’s revolutionary spirit with the relevant text following the image.

“Dear Mark,

Well, we have really done it this time. I went out with one of the members of ACT UP and wheat pasted this scandalous tract and now I have offended every queen in town that’s a slave to fashion if you can imagine! It really sent the whole population of Fagville on a spin they have not recovered from. We plastered a couple hundred of these in the Castro. I love it! Stirring up scandal is one of my favorite pastimes! I call it my Leninist Provocation!

In previous posts (here and here) I’ve highlighted material from the archive of actress and playwright Monica Sanchez who was a good friend of Ronnie’s. Recently I came across this supplementary statement about Cunanan:

“People forget Andrew Philip Cunanan was a human being who loved and felt pain and rejection. A little boy who wanted to be loved. We pay the price for every suffering child. I know his rage and I love him for lashing out and I don’t care what even my dearest friends think of my opinion. He was a hero of the gay community to be canonized!”

Ronnie Burk’s poem “Listen, whiteman!”

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Before becoming a member of ACT UP San Francisco in 1996, Ronnie Burk lived on the island of Maui at several different periods in the early 1990s. Along with writing poetry and studying Buddhism, he became aware of the Hawaiian people’s struggle against racism and exploitation, something he himself experienced as a gay man of Mexican and Indigenous American descent.

In Monica Sanchez‘s archive there are several letters he wrote to The Maui News on this topic. Here is one of a few examples of Ronnie including collage with presentation of a poem “Listen, whiteman!” which, again, speaks prophetically to the challenges the world faces in this day and age.

The Full Spectrum by Ronnie Burk

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I came across this letter from Ronnie to his dear friend, the actress and author Monica Sanchez, while digitizing her archive of material from Ronnie. The last four pages struck me as prophetic.

I’ve chosen the title “THE FULL SPECTRUM” and share these scans and my own transcription with Monica’s permission.

THE FULL SPECTRUM by Ronnie Burk.

It goes beyond conceptions of art or literature or even greatness.

The illusions (all of them) are wearing thin.

We need theater, art, literature that answers our desires. That manifests the world we desire. Not in reaction or in response to a given historical condition i.e. the oppression of (fill in the blank) people:
Hawaiian
Chicano
Hopi
Negro
Queer

We need to rebuild the garden of Eden. Hand Adam back his rib and tell god the father to go fuck himself. All myths are coming to an end. It is the Zen of time & there is no way out except up.

For the (fill in the blank) people this situation is hell i.e. a bottom line situation, and we don’t need another gang war to remind us the zoot suit, the Chulo look, the Nike baseball cap ghetto blaster children know & will tell you

“Get a life”

because this is not a life. This is a place for dead people and wannabes. What we want in the end is simply to live & that is the very source of our art which can be, in another form, defined as light. THE FULL SPECTRUM.

Once we come to the full understanding as a (fill in the blank) people, the world will explode & none of us will be able to continue we have. This is the role of the artist as Artaud said “Signal through the Flames” as the world is burning.

The world is burning & it is our collective delusion– “mass hallucination” propped up by TV, Hollywood, religion, history (as we are told), academia, i.e. media– that keeps us locked into this given format i.e. the white man’s reality. Which is to not see the world is burning and we don’t need “The Nutty Professor” to tell us there’s a hole in the ozone. I believe we will make it. But it’s going to take a lot of waking up. Are you ready to set the alarm clock?

Good night,

R.B.

Celebrating Ronnie Burk’s 60th Birthday

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                                   Photo-Mantic
                                   I was Born
                                   bonsai-ed
                                   in a Texas Town
                                   fifty years
                                   before the Great War
                                   burnt holes
                                   in the ceiling of
                                   the World
                                                   – from the poem “1996” by Ronnie Burk
Ronnie Burk, Marin Headlands. Photo © 1999 Tate Swindell

Is it any wonder that a number of ACT UP activists were astrological fire signs? Continuing our salute to the impulsive, impassioned, battling horns of the ram that is Aries, this ACT UP Archives post is in honor of the 60th birthday of Ronnie Burk- April Fool, Surrealist, Chicano, Poet, Bad Ass Motherfucker.

Since his death a dozen years ago, there has recently begun a renaissance of Ronnie’s legacy as a prophetic artist and fearless activist as academic scholars who have discovered his voice and vision are bringing new insights into the power of Ronnie Burk’s work.

Untitled Collage by Ronnie Burk

In spite of the hardship of his troubled adolescence in racist and homophobic South Texas, Ronnie’s alchemical artistry and belief in the magical allowed him to transcend society’s prohibitions in order to create a body of work that pushed the forms of Surrealist imagination and radical political activism. Ronnie was among the first students at Naropa University in the mid-1970s where he studied the teachings of Tibetan Rinpoche Chögyam Trungpa, met Beat writers like Allen Ginsberg, William Burroughs and Gregory Corso as well as Diane Di Prima, who became one of his mentors.

After his summertime stints in Boulder, Ronnie returned to San Antonio to participate in the cultural and political activities in the Chicano community. In 1977 his first poems were published in Caracol: La Revista de la Raza, which was founded and edited by Cecilio García-Camarillo and Mia Kirsi Sategberg. Together they traveled to the fourth Floricanto Festival (a national festival of Chicano literature) where he met poet and editor Lorna Dee Cervantes. She later published Ronnie’s first chapbook En el Jardín de los Noplaes (In the Garden of Prickly Pear Trees, 1979) as a Mango Publication. This activity brought him into contact with Chicana poet and novelist Ana Castillo.

Roar of Durga, Ronnie Burk 2001

In the early 1980s, Ronnie lived in New York City where he became friends with the Surrealist poet Charles Henri Ford and the photographer, filmmaker and poet Ira Cohen. He was also involved with many of the then young filmmakers of the Lower East Side including Richard Kern, David Wojnarowicz and Ronnie’s close friend Tommy Turner. Ronnie also participated in the Nuyorican Poets Café with Miguel Algarín and Miguel Piñero and attended performances by the Living Theater.

“Pat Christen Goes on Record” featuring the cartoon “Jerome’s on the rampage!” Miss Thang Productions. A comic strip by Ronnie Burk SF Aug. 1997.

Though he was adept at creating collage in the spirit of Max Ernst and assemblages that recalled that playful wonder of Joseph Cornell, Ronnie’s true calling was that of the poet. Like his great inspiration, André Breton, Ronnie sought liberation through the transformative disruption of Surrealism through which he created a magical connection with traditions that came from being north of the border and Indigenous Mexican descent- that is Nahuatl poetics.

Ronnie Burk reading at ACT UP SF’s Open Revolt poetry reading, Aug. 2000. Photo © Victoria Grace.

I first Ronnie met in 1996 as a member of ACT UP San Francisco- the AIDS Coalition to Unleash Power. Having lost friends in the late-’80s to AZT poisoning and been exploited by the San Francisco AIDS Foundation when seeking emergency housing at a time of great need, Ronnie was turned on by the group’s aggressive, theatrical demonstrations that challenged complacency, conflict of interest and greed within the AIDS industry. During the ten years he lived in San Francisco, Ronnie transited between poetic and political circles. Among his friends were surrealist poets Phillip Lamantia and Will Alexander.

In 2012 Kolourmeim Press published Sky*Boat, a collection of his poems and collages. Ronnie left behind an extensive amount of writing and critical analysis as a member of ACT UP San Francisco. Crafting incisive political broadsides and letters to the editor, impassioned public comment at the Board of Supervisors, to taking the bullhorn at animal liberation demonstrations, Ronnie’s fervent advocacy on behalf of the poor, marginalized and oppressed continues to reverberate. Through a combination of theater and ritual, he remained an omnipresent thorn in the side of the gay political elite, challenging their absurd petit-bourgeois conformist values.

ACT UP San Francisco member Ronnie Burk speaking before the Board of Supervisors on Sept. 16, 1996.

In a previous post, ACT UP Archives examined how Ronnie combined theater, ritual and civil disobedience as part of his political protest. There remains an abundance of material from Ronnie’s bold and controversial activism as an HIV-positive gay man of Indigenous Mexican descent, a court jester to the AIDS industry, that will be highlighted in future posts. For now, we suggest a few ways to remember Ronnie on the anniversary of his birth.

Listen- Sun Ra, Nina Hagen, MC5 and Billie Holiday
Watch- Grey Gardens, Modern Times, Brain Candy and
The Discreet Charm of the Bourgeoisie
Read- Mina Loy, Harry Crosby, Ana Castillo and Federico Garcia Lorca
Remember- Sitting Bull, Assata Shakur, Alex Nieto and Marilyn Buck
Letter to the editor. Bay Area Reporter. May 1, 1997.